Free Essays on Formal Analysis Of Looking At Crab-apple Blossoms At Night

of Frank Lloyd Wright, â€Å"Form follows function - that has been misunderstood. Form and function should be one, joined in a spiritual union.† This is the relationship of form to function found in the Southern Song court painting, Looking at Crab-apple Blossoms at Night. Painted on a silk fan with ink and color, the piece serves a purpose beyond its artistic worth by functioning as a fan. The content of the fan’s imagery is a representation of a poem composed by Su Shi for the emperor Lizong. Looking at Crab-apple Blossoms at Night is, therefore, uniquely able to forge a marriage between not just form and function, but also content. Because the fan was painted mostly in ink, the silk was most likely covered in a glaze to prevent a diluting of the boldness of the ink due to absorption by the silk. Conversely, sizing silk makes the surface slick and more difficult to paint on. Such a surface requires meticulous and deliberate strokes. Therefore, the artist undoubtedly put a great deal of effort into the composition and content while maintaining a clean and intentional brushstroke. The scene portrayed on the fan serves two purposes. It illustrates the patron’s poem by prominently displaying imagery from the poem such as the flowers and silver candles. The formal style used by the artist unites content and form. The pictorial imagery serves the dual purpose of creating a mood of serenity. The serenity of the scene lends to the function of the fan, which is to induce comfort. One typically uses a fan when the climate is hot and harsh. The imagery of Looking at Crab-apple Blossoms at Night depicts a cool, spring night at a peaceful and organic structure in the midst of a tranquil and scenic landscape. Anyone who requires the fan’s function is thereby transported to a cool and serene resting spot. The serene tone of the painting is achieved through the use of several formal techniques. Sharp and angul... Free Essays on Formal Analysis Of Looking At Crab-apple Blossoms At Night Free Essays on Formal Analysis Of Looking At Crab-apple Blossoms At Night In the words of Frank Lloyd Wright, â€Å"Form follows function - that has been misunderstood. Form and function should be one, joined in a spiritual union.† This is the relationship of form to function found in the Southern Song court painting, Looking at Crab-apple Blossoms at Night. Painted on a silk fan with ink and color, the piece serves a purpose beyond its artistic worth by functioning as a fan. The content of the fan’s imagery is a representation of a poem composed by Su Shi for the emperor Lizong. Looking at Crab-apple Blossoms at Night is, therefore, uniquely able to forge a marriage between not just form and function, but also content. Because the fan was painted mostly in ink, the silk was most likely covered in a glaze to prevent a diluting of the boldness of the ink due to absorption by the silk. Conversely, sizing silk makes the surface slick and more difficult to paint on. Such a surface requires meticulous and deliberate strokes. Therefore, the artist undoubtedly put a great deal of effort into the composition and content while maintaining a clean and intentional brushstroke. The scene portrayed on the fan serves two purposes. It illustrates the patron’s poem by prominently displaying imagery from the poem such as the flowers and silver candles. The formal style used by the artist unites content and form. The pictorial imagery serves the dual purpose of creating a mood of serenity. The serenity of the scene lends to the function of the fan, which is to induce comfort. One typically uses a fan when the climate is hot and harsh. The imagery of Looking at Crab-apple Blossoms at Night depicts a cool, spring night at a peaceful and organic structure in the midst of a tranquil and scenic landscape. Anyone who requires the fan’s function is thereby transported to a cool and serene resting spot. The serene tone of the painting is achieved through the use of several formal techniques. Sharp and angul...

25 German Loanwords

25 German Loanwords 25 German Loanwords 25 German Loanwords By Mark Nichol The German language has provided English with a huge inventory of words, many of them pertaining to music, science, and politics, thanks to the influence of German-speaking people on those areas of human endeavor. Here are some of the more useful German terms borrowed into English. 1. Achtung (â€Å"attention†): an imperative announcement used to obtain someone’s attention 2. Angst (â€Å"anxiety†): a feeling of apprehension 3. Blitz (â€Å"lightning†): used only literally in German, but in English refers to a sudden movement, such as a rush in a contact sport 4. Carabiner (â€Å"rifle†): an equivalent of the English word carbine, this truncation of karabinerhaken (â€Å"riflehook†) refers to a metal loop originally employed with ropes in mountaineering, rock climbing, and other sports and activities but now widely employed for more general uses 5. Delicatessen (â€Å"delicate eating†): a restaurant or food shop selling meats, cheeses, and delicacies 6. Doppelgnger (â€Å"double-goer†): in German, refers to a look-alike, but in English, the primary connotation is of a supernatural phenomenon either a spirit or a duplicate person 7. Ersatz (â€Å"substitute†): refers to an artificial and/or inferior imitation or replacement 8. Flak (acronym): an abbreviation for â€Å"air-defense cannon† used figuratively to refer to criticism 9. Gestalt (â€Å"figure†): something more than the sum of its parts, or viewed or analyzed with other contributing phenomena 10. Gà ¶tterdmmerung (â€Å"twilight of the gods†): a catastrophic event 11. Hinterland (â€Å"land behind†): originally a technical geographic term; later, in both German and English, came to connote undeveloped rural or wilderness areas, and in British English has a limited sense of â€Å"artistic or scholarly knowledge,† as in â€Å"Smith’s hinterland isn’t very impressive† 12. Kitsch: something of low taste and/or quality, or such a condition 13. Leitmotiv (â€Å"leading motive†): a recurring theme, originally applied to music and later literature and theater but now in general usage 14. Nazi (truncation of â€Å"National Socialist†): originally denoted a person, thing, or idea associated with the German political party of that name and later the national government it dominated; now, by association with Adolf Hitler and the tyranny of the party and the government, a pejorative term for a fanatical or tyrannical person 15. Poltergeist (â€Å"noisy ghost†): a mischievous and/or malicious apparition or spectral force thought responsible for otherwise inexplicable movement of objects 16. Putsch (â€Å"push†): overthrow, coup d’etat 17. Realpolitik (real politics): the reality of political affairs, as opposed to perceptions or propaganda about political principles or values 18. Reich (â€Å"realm†): in German, usually a neutral term for â€Å"empire† or part of a name for a nationalized service, such as the postal service, but in English, because of the Nazi appellation â€Å"the Third Reich,† connotes tyranny 19. Schadenfreude (â€Å"harm joy†): enjoyment of others’ misfortune 20. Sturm und drang (â€Å"storm and stress†): turmoil, drama 21. Verboten (â€Å"forbidden†): prohibited 22. Weltanschauung (â€Å"worldview†): an all-encompassing conception or perception of existence 23. Weltschmerz (â€Å"world pain†): despair or world-weariness 24. Wunderkind (â€Å"wonder child†): a child prodigy 25. Zeitgeist (â€Å"time ghost†): the spirit of the time, or a prevailing attitude, mentality, or worldview Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Vocabulary category, check our popular posts, or choose a related post below:50 Incorrect Pronunciations That You Should AvoidRound vs. AroundHyphenation in Compound Nouns